In his words his vision of his clothes “embraces both new and classic perspectives on
elegance”. Ideally his client is “beyond
the classification of age and style” this would match the clothes themselves.
His origins, half Italian and half Austrian
and studying at Antwerp Academy of the Fine Arts in 2000. Between him and his
design partner Christopher De Vos, they are the brains behind the Peter Pilotto
label, who were shortlisted for the BFC/Vogue Designer Fund in 2012.
This marked the tenth
London catwalk show for the design duo, supported by Topshop. For their
Spring Summer 2012 Collection they were awarded Fashion Forward
sponsorship, supported by the British Fashion Council and Coutts.
In December 2009 PETER PILOTTO was awarded the best emerging talent award at the British Fashion Awards.
In December 2009 PETER PILOTTO was awarded the best emerging talent award at the British Fashion Awards.
The relationship between
Pilotto and De Vos works very well. While Pilotto focuses on the print and
textiles, De Vos focuses on the silhouette and drape. The duo prefer to reinforce the idea of the curiosity cabinet,
which is something that holds stimulus for the duo. The curiosity
cabinet is a metaphor for journey, their cultural mix and a collection
of recurring things,such as natural phenomena. They are particularly fascinated with a scientific view of nature and is a constant source of inspiration.
Despite separate design
aspects their ideas come together in a well respected collaboration which is
sold in 42 countries, sold in over 200 directional retailers including; Colette in Paris; Harvey
Nichols and Dover Street Market in London; Bergdorf Goodman, Saks Fith
Avenue in New York, Joyce in Hong Kong and China and seen on an array of celebrities from Rihanna to Kate
Bosworth.
Here are snippets from their S/S '13 collection.
Fashion bloggers Type and Talk blogged :
"Prints, beading, embellishment, bright colours and pyjama pants…. Just buy the whole damn collection!
Gotta say Pilotto’s offering is right up my street…. minus the
peplums. Gotta love the sunshine pops of yellow and the heavy beading
details on the a line dresses. As much as I hate peplums I was kind of
digging the peplum sleeves, although I’d never wear them.
They look rather cool with the vibrant print. A proper stand out
item. Some of the mirrored didtal prints did remind me of Katrantzou,
but a tamed version which you could actually picture yourself wearing
it!
Even in the darker coloured items it still stands out as a high summer wardrobe due to the way the prints are blended together."
There seems to be a worldwide love for Peter Pilotto and its colourful and vibrant designs, but is it getting repetitive? Miss Penny Dreadful seems to think so
"Don't get me wrong about Peter Pilotto. I love their work but I am
starting to feel as if I am looking at the same collection -tweaked -
every year. I don't really know if it is print fatigue as most designers
are showing simple designs and print less clothing - there seems
something very fussy about this. I just wish I could see something
totally different from them. "
While vogue.com reviews that Peter Pilotto's "patterns undergo some kind of
alchemical reaction with a woman’s body, through being worked into
increasingly imaginative silhouettes; the total effect—not just a litany
of print motifs—creates the impact of what Peter Pilotto does."
Snippets from their Resort 2013 collection:
Style.com reviews:
"This season's came in two main groups—both of which were smart departures
from Fall, which was faulted somewhat for being too similar to their
previous collection. The first was quite geometric. Printed as it
sometimes was on silk cloque, the results looked almost quilted. The
second motif was inspired by research they did on centuries-old
illuminated manuscripts in London's Royal Library; these were more
evocative of stained glass. Both prints produced some fabulous dresses,
and the designers continue to forge ahead into other categories like
macintosh jackets and full-legged pants. But some of the collection's
most captivating pieces weren't made from prints at all. Instead, they
gave a high-tech oversize mesh fabric the couture treatment with
crystals and sequins. Really special and really smart.
"
There is definitely a recurring motif in Peter Pilotto designs, bright and vibrant prints stand out over well cut simplistic but effective silhouette. Their clothes make it into the big name magazines in the most vibrant and interesting spreads, most recently Hapaar's Bazaar and Instyle magaxine.
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